Cinemas are a public treasure – a vital site for film magic and discovery and invaluable places of economic exchange, social communion, and personal escape and solace.
With the lockdown of so many cinemas in the UK, Europe and around the world, we face a crisis that is undermining the business of public film exhibition and threatens to shutter countless cinemas for good. That’s why we are launching an editorial campaign to celebrate, cherish and defend these spaces for the future.
#MyDreamPalace will be a communal celebration of the magic of moviegoing. Over the next winter months, and until cinema curtains roll up and the lights go down, we’ll be asking filmmakers from across the world to reflect on their favourite and formative cinemas in the time of Covid.
We’ll also be spotlighting the people who make cinemas work, from projectionists to ushers to programmers. And we’ll explore what kind of cinema ecosystem we want to emerge from this crisis.
We ask you our readers to join in: tell us about your favourite dream palace and what makes it so special. Join us on social media in posting pictures and videos of treasured cinemas, stories about memorable experiences you’ve had in the audience and observations about what makes film-going an irreplaceable rite. Tag your posts #MyDreamPalace and we’ll share as much as we can. And if you want to drop us any private pitches or suggestions, please email us at s&s@bfi.org.uk.
While we wait to again be – to paraphrase Susan Sontag – kidnapped by movies, sitting in the dark alongside anonymous strangers, overwhelmed by the physical presence of the image in front of us, here’s remembering what Tilda Swinton hymned as the “wild wide screen”.
Edgar Wright launches our campaign
My dream palaces: Edgar Wright revels in a life at the movies
Launching our My Dream Palaces celebration of our cinemas, British writer-director Edgar Wright pens an ode to cinemas great and small – from his childhood watching blockbusters in Bournemouth to the socially-distanced screenings of 2020.
By Edgar Wright
Mark Cousins takes his torch to the Edinburgh Filmhouse
Cinemas and the coronavirus
How the coronavirus hit cinema
How the coronavirus hit cinemaLockdown lessons: 13 UK film industry leaders on coping with Covid
By Isabel Stevens and Trevor Johnston
Turkish cinephilia in the time of Covid-19: quarantined but not forgotten
Turkish cinephilia in the time of Covid-19: quarantined but not forgottenLockdown lessons: Sheffield Doc/Fest director Cíntia Gil on defending the collective experience of cinema
By Trevor Johnston
Lockdown lessons: BFI CEO Ben Roberts on UK film and the Covid crisis
By Isabel Stevens
The numbers: the coronavirus effect on the UK box office
By Charles Gant
“We’re on a war footing”: independent cinemas stand their ground against the pandemic
By Charles Gant
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
More celebrations of cinema from our archive
The three o’clock rite: Ingmar Bergman’s home cinema
The three o’clock rite: Ingmar Bergman’s home cinemaExpanding your world: Bertha DocHouse in the Curzon Bloomsbury
Expanding your world: Bertha DocHouse in the Curzon BloomsburyThe smouldering screen: Kevin Brownlow on the lustre of nitrate
The smouldering screen: Kevin Brownlow on the lustre of nitrateBuilding a small cinema in Liverpool
By Anthony Killick
Revenge of the fleshpit!
Revenge of the fleshpit!Cinephilia down the ages: a Museum of the Everyday
By Pamela Hutchinson
The View from Here, by Tilda Swinton
By Tilda Swinton
Welcome to the Overnight: 48 hours at a cinephile retreat
By Charlie Shackleton
London’s Cinema Museum is keeping cinephilia alive. Can it be saved?
London’s Cinema Museum is keeping cinephilia alive. Can it be saved?Deptford Cinema: one for all!
Deptford Cinema: one for all!The Cinema Travellers – first-look review
By Ben Nicholson
Gallery: five new London cinemas
Gallery: five new London cinemasTug of love: a cinema pilgrimage with Tilda Swinton and Mark Cousins
By Nick James
Celluloid haven: Close Up Cinema
Celluloid haven: Close Up CinemaLang may yer lum reek: Glasgow at the movies
By Emma Jackson
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew